The Insidious Hollywood Programming to Destroy the West

If you would do a review of Hollywood blockbusters of the past half century, you would find out that most films carry anti-white undertones, promoting multiculturalism, miscegenation, matriarchy, and the mockery of male impotence. For decades, Hollywood has been the world’s propaganda machine, the frontline in the fight against Western civilization.

Predator (1987)

Arnold Schwarzenegger stars in Predator, a film about an alien lifeform that hunts humans. It flops at the box office but later becomes a cult classic. The cast of American strongmen is epic. The struggle for dominance between Schwarzenegger and Carl Weathers is unforgettable. Co-stars Bill Duke, Sonny Landham, and Jesse Ventura show feminist allies what men used to be made of when men were still men: Godfearing individualists who respect hierarchy.

Yet, if you know what to look for, you will find that this film, as do so many Hollywood films produced since the 1980s, contains a most insidious programming: the doctrines of matriarchy, multiculturalism, and nonviolence. When the crew in Predator first confronts the monster, a soldier exclaims, “Holy Mother of God!” It’s a pun referring to the monster. It’s also a message placing a female Mother above God. The only woman in this film happens to be called Anna, who preaches peace. Saint Anne was the mother of the Virgin Mary.